Myanmar artisans plan to develop silversmithing, inspired by the model of Thailand's arts centers
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Htet Nadi/Saw (NP News) - January 22
Myanmar experts are reportedly working together to develop a silversmithing skills initiative, taking inspirations from the traditional arts and crafts center in Thailand.
The ten traditional Myanmar arts include Panchi (painting), Panyun (lacquerware), Panbu (sculpture), Panbe (blacksmithing), Pantain (gold/silversmithing), Pantin (bronze casting), Pantaut (stucco), Panyan (masonry), Pantamault (stone sculpting), and Panpoot (lathe work). Among the ten types of arts, the art of smithing is divided into goldsmithing, silversmithing, and bronzesmithing.
The silversmithing is mostly practiced in Sagaing Region, Sagaing City, Ywa Htaung Village, and Inle in southern Shan State. Currently, due to the high cost of raw materials and the shortage of skilled workers, silversmiths are increasingly turning to copper, which is likely to lead to a decline in the craft industry.
“What should we do when there are still a few skillful artists left? There are also many sections in silversmithing. Some people embroider. There are people who make sculptures. There are people who carve. Their choices vary with their expertise. To preserve this art while these skillfull people are still alive, who are over 80 or 70 years old, we first want to record details about this art and how it can be done. After recording it, we can set up a culture center. In Thailand, there is a Folk Arts and Crafts Center in every major city. Anyone who is interested, whether they are young or old, can go there and learn. There is a suggestion that such a center be established,” said Myanmar artist (Ko) Klan Nge Htoo Thant.
He added that he had discussed with a non-governmental organization (NGO) in Myanmar the idea of creating documentation to make the subject easier to learn, and providing workshops and training for young people.
“We are not discussing about finding funds. We will support these silversmiths as much as possible. We will support these crafts. Next time, they say that there are NGOs in Myanmar. We need to consult with these organizations and take notes to open such courses. We are starting to run them now. We are aiming to establish it. We are also planning. These things should be realized in about one, two or three months,” he said.
U Thit Lwin Soe, chairman of the Myanmar Traditional Arts Association, said that in the current situation, traditional arts are being affected by the introduction of machine-made products. –